Satyrykon 2016
regulaminpliki do pobrania (regulamin i karta zgłoszenia PDF) T i m e t a b l e:Deadline for works reception February 8, 2016(date of the postmark)Jury meeting February 19-21, 2016Post-competition exhibition June 8 – August 28, 2016Return of works after the exhibition cycle December 31, 2017
Bohdanowicz’s Hand
says the caption under the photo taken in 1986 at the jury meeting. At that time, that hand’s gesture was very meaningful indeed. Not only did it judge the verdicts, but it also drew both catalogue covers (1987) of “Satyrykon i Fotożart” and “Mieszanka firmowa” – the publishing which summarised the competition and festival’s first
Grand Prix Satyrykon 2015
Since P.T. Selbit sawed a woman in half, it has been difficult to count whether this classical trick has had more variants or more references in cartoons. Popov is exceptional in his ease concerning combination of a few spheres of reality. When we look at Illusionist, we might be less supposed to think about the matters
Witold Mysyrowicz STRAIGHT INTO THE EYES
There are four cartoons by Witold Mysyrowicz at this year’s post-competition exhibition – quite a usual thing, and as usual (almost every year) they’ve been appreciated with a nomination. Furiously pink Palace of Culture used as a pole in an enthusiastic pole jump (into the joyful future?) can’t be forgotten, even after seeing 142 other
The Big War and Peace. The Big War.
We, the Poles, look at the World War One in a bit different way than the rest of the Europeans. We were looking forward to it – the conflict of occupants which finally brought freedom to our country. However, for many West European countries it was the most terrible war of the 20th century, the first
ANDREI POPOV – drawings
In his pictures our every-day trivial moments become significant. People are depicted according to the most basic rhythm – night and day, atmospheric phenomena and seasons of the year. Actually they face the most important issues. Between spirit and body, senses and reflection, life and art, microcosmoses of their apartments, beds or chairs and macrocosmoses.